4304 безплатни аудиофайлове за "13 Limit Tuning And Intervals"

*Pythagorean major seventh on C = B+ (Ben Johnston's notation). 243:128 = 1109.78 cents. Limit: 3-limit. MIDI pitch bend: 16,67

*Pythagorean major sixth on C = A+ (Ben Johnston's notation). 27:16 = 905.87 cents. Limit: 3-limit. MIDI pitch bend: 112,65

*Ditone (Pythagorean major third) on C = E+ (Ben Johnston's notation). Just: 81:64 = 407.82 cents. Limit: 3-limit. MIDI pitch bend: 64,66 81st harmonic.

*Pythagorean augmented sixth on C = A♯+++ (Ben Johnston's notation). 59049/32768 = 1019.55 cents. Limit: 3-limit. MIDI pitch bend: 33,70

*Pythagorean augmented third on C = E♯+++ (Ben Johnston's notation). 177147/131072 = 521.51 cents. Limit: 3-limit. MIDI pitch bend: 113,70

*Pythagorean diminished fourth on C = F♭-- (Ben Johnston's notation). 8192:6561 = 384.36 cents. Limit: 3-limit.

*Pythagorean apotome on C = C♯++ (Ben Johnston's notation). 2187:2048 = 113.69 cents. Limit: 3-limit. MIDI pitch bend: 49,68

*Pythagorean comma on C = B♯+++ (Ben Johnston's notation). 531441:524288 = 23.460010 cents. Limit: 3-limit. MIDI pitch bend: 65,71 (23.461914 cents) The note de picted as lower on the staff (B♯+++) is slightly higher in pitch (than C♮).

Pythagorean diatonic scale on C. + indicates the syntonic comma.

*Pythagorean augmented second on C = D♯++ (Ben Johnston's notation). 19683/16384 = 317.60 cents. Limit: 3-limit. MIDI pitch bend: 81,69

*Pythagorean augmented fourth on C = F♯++ (Ben Johnston's notation). 729:512 = 611.73 cents. Limit: 3-limit. MIDI pitch bend: 96,67

*Pythagorean augmented fifth on C = G♯++ (Ben Johnston's notation). 6561/4096 = 815.64 cents. Limit: 3-limit. MIDI pitch bend: 1,69

*9 steps in 13-et on C = ??. Equal-tempered: 29/13:1 = 830.77 cents. MIDI pitch bend: 108,73

*8 steps in 13-et on C = ??. Equal-tempered: 28/13:1 = 738.46 cents. MIDI pitch bend: 39,76

*7 steps in 13-et on C = ??. Equal-tempered: 27/13:1 = 646.15 cents. MIDI pitch bend: 98,78

*13 steps in 72-et on C = ?. Equal-tempered: 213/72:1 = 216.67 cents. MIDI pitch bend: 42,69

*13 steps in 20-et on C = ?. Equal-tempered: 213/20:1 = 780 cents. MIDI pitch bend: 76,57

*13 steps in 48-et on C = ?. Equal-tempered: 213/48:1 = 325 cents. MIDI pitch bend: 97,57

*12 steps in 13-et on C. Equal-tempered: 212/13:1 = 1107.69 cents. MIDI pitch bend: 59,66

*13 steps in 41 equal temperament on C. Equal-tempered: 213/41:1 = 380.49 cents. MIDI pitch bend: 97,57

*11 steps in 13-et on C = ??. Equal-tempered: 211/13:1 = 1015.38 cents. MIDI pitch bend: 118,68

*13 steps in 36-et on C = ?. Equal-tempered: 213/36=26/72:1 = 433.33 cents. MIDI pitch bend: 85,74

*13 steps in 22-et on C = ?. Equal-tempered: 213/22:1 = 709.09 cents. MIDI pitch bend: 116,66

*13 steps in 21-et on C = G↑. Equal-tempered: 213/21:1 = 742.86 cents. MIDI pitch bend: 91,77

*13 steps in 23-et on C = ?. Equal-tempered: 213/23:1 = 678.26 cents. MIDI pitch bend: 5,57

*1 step in 13 equal temperament on C. Equal-tempered: 21/13:1 = 92.31 cents. MIDI pitch bend: 69,61

*13 steps in 14-et on C = ??. Equal-tempered: 213/14:1 = 1114.29 cents. MIDI pitch bend: 73,68

*13 steps in 31 equal temperament on C. Equal-tempered: 213/31:1 = 503.23 cents. MIDI pitch bend: 4,65

*13 steps in 19TET on C = A♭. Equal-tempered: 213/19:1 = 821.05 cents. MIDI pitch bend: 94,70

Ratio between pitch and length of an organ pipe: octaves.

*13 steps in 16-et on C = A♯ (Easley Blackwood's notation). Equal-tempered: 213/16:1 = 975 cents. MIDI pitch bend: 0,56

*13 steps in 15 equal temperament on C = A↑ (Easley Blackwood's notation). Equal-tempered: 213/15:1 = 1040 cents. MIDI pitch bend: 102,108 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Bb.

*26 steps in 72 equal temperament on C. Equal-tempered: 226/72=13/36:1 = 433.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 434.375 cents rather than 433.342. New version a M3 on 85,74 for 433.3251953125 cents rather than 433.342.

One example of imperfect consonances previously considered dissonances in Guillaume de Machaut's "Je ne cuit pas qu'onques".

*13 steps in 18-et on C = ?. Equal-tempered: 213/18:1 = 866.67 cents. MIDI pitch bend: 42,53

Tout d'abord un la pur. Se rajoute un autre la, un comma pythagoricien au-dessus. On entend des battements.

*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69

*Subminor seventh on C = B. Equal-tempered: 219/24:1 = 950 cents. MIDI pitch bend: 0,80 Preceded by:File:Seventeen quarter tones on C.mid

*Supermajor seventh on C = B/C. Equal-tempered: 223/24:1 = 1150 cents. MIDI pitch bend: 0,80 Preceded by:

*Subminor sixth on C = G/A. Equal-tempered: 215/24=5/8:1 = 750 cents. MIDI pitch bend: 0,80 Preceded by:File:Thirteen quarter tones on C.mid

Octave on C. 64/1: 7200 cents.

Octave on C. 16/1: 4800 cents.

13-tet scale on C. MIDI pitch bend correct for intervals.

Une quinte pythagoricienne juste (10 secondes) suivie d'une quinte du loup (10 autres secondes). Fait avec Csound.

Un la à 440hz, puis un la élevé d'un comma à 446 hz, puis les deux ensemble. Fait avec CSound.An A at 440 hz, then an A + one comma at 446hz, then both together. Made with CSound.

Comma pythagoricien. Deux notes séparées d'un comma pythagoricien, jouées alternativement. Format ogg. Fait avec CSound.

I created this file myself (using Sibelius, Windows Sound Recorder, and Audacity) to illustrate the concept of interval class.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 25 Prelude No. 13 in F-sharp major, BWV 858